The Institute promovează industriile creative din România, urmărind să contribuie la modernizarea României. The Institute inițiază și organizează evenimente de 19 ani și a construit o comunitate ce reunește antreprenori, profesioniști și publicul industriilor creative din România.

Prin tot ceea ce face,  contribuie la construirea unei infrastructuri puternice pentru dezvoltarea antreprenoriatului creativ în țară, crește și diversifică audiența atelierelor, designerilor, micilor afaceri, agențiilor și manufacturilor, promovează antreprenorii și profesioniștii creativi pe plan național și internațional. 

Pentru idei, recomandări sau noutăți, scrie-ne la office@institute.ro.

Termeni și condiții ale The Institute și politica de confidențialitate a datelor cu caracter personal. 

 
 

ANA ALEXE

Who's who / 19 Apr 2019 / RDW team
  • ANA ALEXE2019 // AUTOPSY
  • ANA ALEXE2019 // AUTOPSY
  • ANA ALEXE2019 // AUTOPSY
  • ANA ALEXE2019 // AUTOPSY
  • ANA ALEXE2019 // AUTOPSY
  • ANA ALEXE2019 // AUTOPSY
  • ANA ALEXEMAȘINA PĂUN Colecția Primăvară/Iarnă 2016
  • ANA ALEXEMAȘINA PĂUN Colecția Primăvară/Iarnă 2016
  • ANA ALEXECursa de fond 2015
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SPECIFIC
Her creations are artistic manifestations. They imply layers, distructive messages, confrontations. She hasn’t considered to create a brand, but Ana Alexe succeeded in imprinting her personality like a tattoo.

ROMANIAN DESIGN WEEK APPEARANCES

2019 // AUTOPSY
„I’ve found the poet, with his heart’s gifts, having him analyze my suprarealist drive and sensations of my everyday in a setting, neither optimist nor pesimist, but urging a third mind state, where contraries ceases to exist. I’ve put in my small iconostasis poppies, blood, hair, sky pieces, solitary cries, eros, sea, sun, habitual an existensial loneliness, all in the mourned sound of a black harmonica on unexplained dark. When I think of them in my prayers, the misfortunes run away and the small, misunderstood eternity, that gives and takes it all, becomes by defeat knowledge and maybe freedom. Through every yanking and extortion a storm passes; through every root, flower and fruit of suffering, a watter is slipping by; the anger and sadness have woven in me canvases, sisters living life like life.
The mouth of Elytis speaks with four houndred roses. I have sewn.”


2016 // SPRING WINTER // The Peacock Car

“The peacock car” is a space of illusion defined by the intersection between the character of woman as home, mother, domestic fire (body/emotion/mind) and the fictional character of woman as goddess, fauna, harpy, nymphy (imagination/breath/dream/contemplation). The two of them and their echos are fighting, are overlaping and are dissolving each other in a continuous and contradictory dialogue about the phantoms of bourgeois femininity.

2015//SS15  
The journey towards a special place that holds these waterfalls of movement, of the whole body, meant to forget the geometrical postures, self-sufficient though for everyday's life, becomes some kind of giant accurate fresco, reproachful and full of retroactive feelings.