2018 // POST A R T INTERNET 
2018 // POST A R T INTERNET 
2018 // POST A R T INTERNET 
2018 // POST A R T INTERNET 
2018 // POST A R T INTERNET
HISTORY
Ioana Adam attended a Fine Arts profile at Arts Highschool Carmen Sylva, in Ploiești (2009 - 2013), studied at the National University of Arts, Fashion and Design program, and is currently attending further studies in Fashion, through the Master's program at the same university.
ROMANIAN DESIGN WEEK APPEARANCES
2018 // POST A R T INTERNET
The overall concept of the collection is centered around the art after the emergence of the Internet, or the manifestation of Vaporwave, to be more precise, and how it transitioned from a joke on music itself to a well-loved cultural movement. The six outfits promote a new cultural message: the bantering of some of society's segments through satirical aesthetics.
As a personal innovation, the designer brings off a disruptive, disorder-y, even distortional idea through digital prints and textile structures, each layered until they create a glitchy confusion, an error, a flowy pale aesthetic. As for materials, the designer used rigid textiles for some of the pieces (denim, DOC), alternated with flowy, translucent wear made from tulle and organza, which were deemed to portray Internet's glitch art, 80's influences and a VHS tape feeling.
Ioana Adam attended a Fine Arts profile at Arts Highschool Carmen Sylva, in Ploiești (2009 - 2013), studied at the National University of Arts, Fashion and Design program, and is currently attending further studies in Fashion, through the Master's program at the same university.
ROMANIAN DESIGN WEEK APPEARANCES
2018 // POST A R T INTERNET
The overall concept of the collection is centered around the art after the emergence of the Internet, or the manifestation of Vaporwave, to be more precise, and how it transitioned from a joke on music itself to a well-loved cultural movement. The six outfits promote a new cultural message: the bantering of some of society's segments through satirical aesthetics.
As a personal innovation, the designer brings off a disruptive, disorder-y, even distortional idea through digital prints and textile structures, each layered until they create a glitchy confusion, an error, a flowy pale aesthetic. As for materials, the designer used rigid textiles for some of the pieces (denim, DOC), alternated with flowy, translucent wear made from tulle and organza, which were deemed to portray Internet's glitch art, 80's influences and a VHS tape feeling.
